Tuesday, May 05, 2009
Friday, April 17, 2009
I think I went where no romance writer has ever gone. But that's very likely because I am the frog at the bottom of the well who doesn't know what's going on in the big, wide world. So if there are other romance trailers made this way, please let me know. (I still think I must be among the first five, if not the first.) :-)
So here it is, a talking trailer for NOT QUITE A HUSBAND.
P.S. And I just learned this myself. Click on the little triangle at the bottom right corner of the youtube video. And then click on the little tab that pops up. It will recede the video and reveal both its url and its embed code.
Friday, March 27, 2009
Okay, enough of my indecent love for that book. If you enjoyed DELICIOUS, please vote for it at http://dabwaha.com/blog. Voting closes 8pm EDT today.
And here is DELICIOUS in all its audio glory. Sigh, so pretty.
Tuesday, March 24, 2009
Shana Abé is one of those authors who doesn't publicize herself much, which is a bit of a shame, cuz she is such a lovely, fun person. On the occasion of her new hardcover release, The Treasure Keeper, I hunted her down and forced her to do an interview with me.
Okay, I didn't have to tie her down, then shove a mike in her face. (Is it just me or does it sound terribly dirty? *g*) But you get my gist. The Treasure Keeper hits the stores today. Go get your copy.
You wrote six straight historical romance and one book of mermaid novellas (2 historical, one contemporary) before you burst on to the scene anew in 2005 with your Drákon series, beginning with The Smoke Thief, featuring an ancient race of dragons who have learned to shapeshift and pass as humans. I know, from a podcast you did with Sandy Coleman of All About Romance, that it had been a long-held desire for you to write romances with fantasy/paranormal elements. Did you also always want to do something with dragons? Or was it a case of “Hmm, vampires, no. Hmm, werewolves, no. Hmm, dragons, well, well, well?”
Actually, you pretty much summed it up right there! I realized I wanted to write about shapeshifting creatures of some sort, but I felt that there were already so many good werewolf/vampire novels out there, I really didn’t want to plunge into that pool.
I used to live in the foothills of Los Angeles, where there are a lot of red-tailed hawks. And I have pet house rabbits. A person with pet rabbits always keeps a sharp eye out for predators when they’re outside playing. I learned to recognize entire family groups of hawks, and I suspect they learned to recognize me. One cast of at least thirteen would circle by nearly every day at bunny playtime in my backyard. Being the superior, brilliant human that I am, I would stand in my yard and try to shoo them away by waving my arms and jumping up and down and yelling, “Go away!” Which astonished my neighbors (not in a good way) and totally frightened my bunnies—but not the hawks. Finally one day the hawks very firmly and rudely responded by, um, loosening their collective bowels directly above me. Seriously. I had to run away and hide under the porch. And it was a huge mess upon landing.
Anyway! Hawks. Despite all that, it’s impossible not to admire their elegance in flight. One afternoon as I was idly watching a courting couple above me, their fantastic circles and loops and turns—with the back of my brain simmering over my shapeshifting, werewolf/vampire dilemma—the answer came to me. It seemed so obvious. Not hawks (I mean, come on, they tried to poop on me!), but dragons. Dragons can fly, dragons are mystical and interesting, and plus, since they don’t actually exist, I could make up whatever traits I wanted to about them. :-)
The Drákon books have been an instant hit with both readers and critics alike. The Smoke Thief was Romantic Times’s Historical Romance of the Year. The second book in the series, The Dream Thief, which totally blew me away, made the New York Times bestseller list and was named by Amazon.com its #1 Romance of the Year. Bantam, your publisher, obviously did anticipate just such a reception, as the series is brought out in hardcover. Did you personally expect this level of success?
God, no. Like most novelists, I try to write the very best book I can every single time. But still, some books just end up being better than others. I don’t know why. As a writer, I do feel a certain tingle of excitement when I compose something I think is good...but I don’t necessarily expect anyone else to think it’s good. I only hope that they do, LOL.
It was a very happy surprise to get the call from my agent telling me that Bantam planned to release THE SMOKE THIEF in hardcover. In fact, I couldn’t really believe it for a while; I thought maybe they had made a mistake. Or that they would come to their senses and change their minds. But they put together a lovely package for it, and I think I’m very, very lucky that it turned out so well.
One thing I love deeply about your books is that they feature power couples. So often in romance--and particularly paranormal romance--the balance of the power is tilted, sometimes overwhelmingly, toward the hero. But your heroines have stunning abilities and nerves of steel and are full equals of your heroes. One of my favorite moments from Queen of Dragons, the third book in the series, is when Kimber, the hero, says to Maricara, the heroine, “Let me ask you, king to king…” Ah, it just melts me when a man is strong enough to be secure in the presence of a strong woman. Can you tell me a bit about how you arrive at this dynamic balance between the hero and the heroine?
It’s a very delicate balance, isn’t it? Personally I don’t enjoy a story as much when either the hero or the heroine has far more power than the other, either by societal or supernatural means. Because I chose to set the Drákon Series in the eighteenth century, and then chose my characters to be beasts disguised as humans, I had already set up a radically inequitable balance between the males and the females. Georgian society never exactly embraced the notion of women’s rights, and on top of that you’ve got this wolf pack-like tribe of beings whose ruling faction asserts that it’s biologically impossible for a female to lead, for example. It’s a double whammy against the girls!
So I definitely needed my heroines to have backbones of steel to deal with this. They were both underestimated and undervalued, even by their own kind. Yet they’re not soft, fragile little flowers who wilt in the face of difficulty. In my mind, these women are real, and that means they must behave in realistic ways. Even today we struggle with the consequences of sexual inequality, so imagine how much more extreme, and socially acceptable, it was then. I don’t know a single woman who feels she’s of lesser value than a man, and certainly not merely because she happened to born with a pair of ovaries instead of the other stuff.
Like real women throughout history, these drákon females have learned to relish their own strengths, to hone them; they understand that the foundation of their world is fundamentally unjust, but they adapt to it. They stretch their boundaries as they can, and sometimes they simply flat-out shatter them. Whether that means challenging the layers of rules that constrict them, or more directly just running away to live free, they make the choice not to endure the role their society attempts to force upon them.
Of course, that means they need a man—a male drákon—who is smart enough and wise enough not only to accept the heroine as she is, but to cherish her strength and individuality. It’s one of the facets of his character that makes him a hero: he falls in love with all parts of this amazing creature, even the aspects of her that buck societal norms and directly challenge his own authority.
In another interview with All About Romance, you described yourself as a young girl as “Scrawny. Chalk-white pale. Lank, dark hair that would never hold a curl. Terminally clumsy.” And you wore coke-bottle glasses because you were “one tiny degree away from being legally blind.” But then you went on to become a runway and print model in Japan. I find that absolutely fascinating—a real life transformation story. How did that impact how you view femininity and beauty and how you craft your heroines?
It’s interesting how our childhood shapes us, isn’t it? In my case, I didn’t get rid of the glasses until junior high school, and by then I was so profoundly shy that my mother enrolled me in modeling and acting classes to try to open me up a bit. I enjoyed acting and tolerated modeling, but I never thought it would really lead anywhere. It was a shock to get an offer to model in Japan as a teenager, and to this day I am so grateful for it, because it turns out that traveling to other countries and learning about other cultures is something I love.
But modeling was only ever a job to me, one I always realized would be extremely provisional. In the end, I modeled professionally for about eleven years, which was longer than most girls I knew. I did it around high school and college and then a little later, and the very best part of it was always getting to travel.
However, modeling is a grueling, fiercely competitive and sometimes vicious line of work, and it can breed monsters. I never once thought of myself as beautiful; I had a good look for a strong market, I was very lucky and that was enough. When you’re surrounded by peers whose jaw-dropping physical attributes become almost commonplace, you search for a deeper connection. You search for the mind, for the heart. You want to learn the who of the person instead the what.
That’s what truly matters. I still believe it. Physical beauty has its advantages, but it’s fleeting, and there’s nothing you can do about that. It’s far more important to develop the beauty of your soul, because that’s forever (or, if you’re of a more non-theological bent, it’s for the whole of your lifetime, at least).
Most of the other models I met were deeply insecure about their looks. That’s natural, when you consider how much emphasis is placed upon the seemingly random arrangement of skin and cartilage and bone. Girls I worked with would freak out over a chipped nail. They had reason to. You could lose a job over it, which might be a significant loss of income. A chipped fingernail! It’s a weird, weird profession.
I’m way happier as a writer, LOL.
You live with half a dozen bunnies and a dog. Now lots of people have dogs, so the dog is not very surprising. How did the bunnies come about? And is that the reason I never read about rabbit stews in your book? :-)
Ha! Once, I think in my first novel (a medieval) I had the hero go hunting and catch a hare for dinner, and I felt like such a traitor after that I never have anyone eat rabbit again. ;-) I’ve also managed to insert the names of almost every one of my rabbits (there’s been quite a few of them over the years) into my books, just for fun.
Many, many years ago, I was a desperately impoverished associate editor at a small weekly paper in Malibu (which shall go nameless but does still exist; it’s a really great paper, actually). We had an office parrot and one of my jobs was to go to the local pet store and get him (her? none of us were really sure) supplies.
The pet store, which I very much hope is now out of business, was a sad, small, dirty place. They sold all kinds of animals, and usually for heaps of money (it was Malibu, after all), but one animal they could not sell was this full-grown rabbit. It was a brown lop, nothing fancy or unique, but they kept it in an aquarium because it kept figuring out how to open the wire cages. The aquarium was so small the rabbit couldn’t even stretch out.
I watched this rabbit for almost six months, cramped and miserable in his glass prison. No one wanted him. I knew nothing about rabbits. I had no money. I could barely afford my rent, but one day I just couldn’t take it any longer, so I bought the rabbit.
I named him Christopher, until I saved up enough cash to have him neutered, and then I named her Katherine. LOL. She was brilliant and sassy and I loved her to pieces. She led to two more bunnies—brothers, abandoned Easter bunnies—and then to another one with a deformed ear, and so on.
That’s how it began. Right now I have five rabbits, some very old, one very young, all rescued, all house rabbits.
You need a good sense of humor to have house rabbits, and a lot of wood toys. They chew through everything.
Book four of the Drákon series, Treasure Keeper, hits shelves today itself. It features a son of the original Drákon couple from The Smoke Thief, the girl he first fell in love with when he was thirteen, and is set in a most intriguing and dangerous time and place. Would you tell us something about it?
Well, twist my arm, LOL. THE TREASURE KEEPER is the tale of Rhys Langford, who (as you mentioned) is the youngest son of Kit and Rue from the first book in the series, and Zoe Lane, daughter of the local seamstress (also a drákon). We glimpse them together as youngsters briefly in QUEEN OF DRAGONS, and she seems a little cold then, even as a girl, but it’s all explained in the new book.
I wanted Zoe to have different abilities from the other drákon, and so, something like a chameleon, she has the Gift of invisibility. She also sees ghosts in glass, and is shadowed by the dead (but not in a creepy way). She’s run away from the confines of the English shire in which she was raised because her fiancé (not Rhys!), who was sent out into the human world, has gone missing. Rhys, however, is also missing, because it turns out the drákon have a dire human enemy: the sanf inimicus, human dragon hunters. Both Rhys and Zoe’s fiancé are thought to be dead, but only Rhys shows up to haunt her in spectral form.
He starts off in the story a lot like what you’d think the younger, handsome son of a ridiculously privileged family would be: cocky, sophisticated, fairly wild and irresponsible. But deep down he’s also kind, protective, and genuinely in love with Zoe, the only vibrant thread of true life in his now-gray existence.
Zoe’s made it to Paris, and it’s just a few years before the French Revolution. It’s a dangerous and gritty and exciting time. Plus, she’s hiding out in a castle, which is pretty cool, LOL.
I had a great time with both the setting and the protagonists. Every time I get to delve into this world, I learn something new. It’s such an amazing process, and I’m truly delighted that other people have enjoyed the stories of the drákon as much as I have. I know I’ve said this before, but I feel so, so fortunate.
Well, I know I’ll be at the bookstore to pick up my copy. Thank you so much, Shana, for talking with me. And thank you for writing your wonderful books.
Thank YOU for your kindness! I was thrilled that you wanted to chat. Like a lot of folks, I’m a big fan of the Fabulous Sherry Thomas! :-)
Below are links to excerpts for Shana's Drákon books
Tuesday, March 17, 2009
I just received the audio CDs for DELICIOUS in the mail yesterday. Now I feel like a rock star, or at least like Diane Settlefield, whose book The Thirteenth Tale, was the last book I listened to on audio. The narrator is Virginia Leishman, who also narrated Possession by A. S. Byatt for Recorded Books. Boy, does she make me sound like Masterpiece Theater. And it's got a great cover. (My camera is broken. I'll see if I can't take a picture of it with someone else's camera.) I'm wondering if I should do a giveaway. This would be the perfect romance conversion item, cuz your quarry wouldn't even have any idea s/he was listening to romance, until it's too late of course. :-)
I'm running a contest on my website, giving away an autographed copy of Shana Abé's Smoke Thief, the first book in her Drakon series, in honor of her upcoming new release, Treasure Keeper. I'll interview Shana Abe and give away Treasure Keeper on my e-newsletter on the day of her release, March 24. I'll also be posting the interview here. There is an absolutely hilarious story which I'd never read anywhere else on how she came to write about those dragons. Stay tuned.
If you haven't read GQ's feature on Robert Pattinson (ya know, the guy who plays Edward Cullen in the Twilight movie), you are missing the year's best comedy. I was rolling in the aisles. It is the most hysterically funny feature article I've read in a long, long time. The thing is, you have this clueless dude who comes into this mania completely blind. He is the anti-Edward, a beta male (a child, really), he doesn't smell good, he's insecure, completely flummoxed, and cannot stop talking earnestly and semi-coherently. I felt like making him tea, knitting him a pair of socks (I don't know how to knit), and maybe getting a girlfriend to have pity sex with him just to tell him it's alright. He's a nice kid. I hope he comes out of this okay.
The only movie I want to see right now, The Young Victoria, is, alas, not yet playing in the U.S. I usually don't go for costume dramas--surprising I guess, given I write costume dramas--except for Pride and Prejudice. But this one, I'm dying to see, cuz they've captured Victoria and Albert as real people, young, passionate, flawed--and hot, omg hot.
And last, but not least, I finally have a proposal accepted. Change of plans. It won't be THE IDEAL GENTLEMAN, for now. But a new one, THE PERFECT DECEPTION. When I'm further along in the writing I will make a page for it and post excerpt. For now, I'm still grappling with elements of the story. Suffice to say, it was inspired by Meredith Duran's upcoming book Written on Your Skin. Go read an excerpt. She is going to be one of the greats in our genre.
Friday, March 06, 2009
So I went ahead and did it early this time.
Okay, I have it. And it is a very pretty trailer. But what do I do with it?
The ideal thing would be to build an online publicity campaign around it. But I don't really know how willing people are to host YouTube videos on their blogs, etc. Is it doable? What kind of prize should I hand out? Am leaning toward cash prizes, like prepaid visa cards or some such, but how much and how many?
Also, how do I publicize such a contest? If I just let people know about it on my blog, website, social group sites, etc, would it be enough? Or should I promise an e-reader to get Dear Author's attention, the way Kresley Cole did?
And what about widgets? I've seen promotional campaigns built around widgets here and there. Have you done one or participated in one or run into one surfing around? Do you think widgets work?
I'd love to know.
Wednesday, March 04, 2009
When I was a child, my grandmother had the habit of teaching me a lot of things before they were taught at school. Over all, I did not much care for the extra work. Some stuff were okay: The abacus was very cool. But don't ask me about the joys of getting up at 5:30 am to learn English, about the most painful and futile exercise imaginable. So when I became a parent, I vowed never to impose such trials on my children. These kids would play all they want and have a proper childhood.
Alas, sometimes teachers express concerns and parents have to step up the help at home. So reluctantly I entered the battlefield and had Senior Kidlet do three-paragraph essays a few times a week--the kind he'd have to produce on his assessment tests.
He improved some, but not remarkably. Suddenly in the middle of that summer I got a full request from Kristin Nelson, so had to finish PRIVATE ARRANGEMENTS, which she read very quickly and came back with revisions. Revisions were finished just before I started grad school and needless to say, with school and a difficult-going second book happening at the same time, I didn't spend too much time on Senior Kidlet's homework for the next year and half, and in my mind Senior Kidlet remained a mediocre-at-best writer.
Then, in the spring of 2008, just before the end of 5th grade, Senior Kidlet brought home a book of poems that he'd written at school, to practice the poetry forms they'd learned in language arts and also as a teacher-directed Mother's Day present.
Now this was a child who used to moan at length "I don't know what to write about" every time he had to write anything. The refrains of those complaints and my memories of sitting long hours next to him nudging him on were still fresh in my mind. I expected minimum effort and output to get through the project, and lo and behold this was what I came across:
Midnight is like the bottom of an abyss,
And witnessing a dementor's kiss.
Midnight is a dolphin's sonar and a whale's song,
Accompanied with, an evil heart's throng.
Midnight is as cold as ice,
Along with the rushing flow of stale rice [sic].
Midnight is a rotten berry,
And the moldy flesh of Styx's ferry.
Midnight is the reek of rancid fungi,
With a slice of old spinach pie.
Now I wasn't entirely uncritical. I asked him how the heck was stale rice going to flow. He told me it was really hard to find words that rhymed with ice and we had a good laugh about it. But beyond that, oh baby, was I delighted.
Especially with "Midnight is a rotten berry," something I'd have been proud to have thought up myself.
Parenthood has a way of turning assumptions on their heads. How humbling it was to see that I'd underestimated him and how wonderful it was to be proved wrong. Children grow into their own capabilities, in their own time.
And what a pleasure to put aside my Terminator Mom hat and, for once, just applaud from the rafters.
(Though it is a total indictment of my disorganization that it took this long for the poem to appear here, given that I'd told Senior Kidlet nearly 10 month ago that I'd do it. The poetry booklet just kept disappearing on us every time I got ready to fulfill my promise. When I finally found it again this time I did not let it out of my sight. *g*)
Thursday, February 19, 2009
I shed my first tears within moments of the beginning, when the clockmaker's backward-turning clock was revealed, and he spoke of how he wished that time could flow back and bring back all the young men (his own son included) who had perished in the Great War.
The tone of the movie was set. From then on, I was completely and rapturously enveloped in the gentle yet unsentimental journey of a man who ages backward. I'd read other aging backward stories, most notably in Dan Simmons' Hyperion, so I already know it is a peculiar genre that moves me. But still, I cried and cried at the end of the movie and then went home--it was like 2:30 am when I got back--and cried for another half hour. Because it touched me so. Because for me it spoke so eloquently of the fragility of life, the inexorability of death, and the gallantry of love, knowing in the end that it might not even be remembered or recognized.
But I seem to be in the minority in my uncritical love of this movie. When I've talked to people about it, they feel the movie was too long and rather boring at parts. My mom in particular, from whom I inherited my shallowness, complained at length that there wasn't enough young Brad Pitt for eye candy. :-)
Now, what else do I love uncritically?
Some of you might know that I had a lot of trouble with DELICIOUS, that I had to throw out the equivalent of two entire drafts before my editor accepted the third version. (I am, without a doubt, the best edited writer in all of romance--bar none.) When I received the first final copies of DELICIOUS hot off the press, I sat down and read it through--for probably the very first time, since before that I always had to make changes. My verdict? "Powerful but imperfect," as I wrote in an email to my editor, vowing to keep the powerful but get rid of the imperfect with my next book.
Some of you might also know that I had some major trouble with NOT QUITE A HUSBAND in the home stretch--namely, I sent it in and my editor sent it back with a few choice words that had me wander around my house shellshocked for half a day or so before I pulled myself together to redo the book in the three weeks. (Otherwise my pub date would have to be moved back to 2010.)
Having gone through three drafts with DELICIOUS, getting a sucky draft sent back shouldn't be anything new for me, right?
Well, it was a new experience. Each time I handed in a not-okay draft of DELICIOUS, I sort of knew that it wasn't okay. The first time I actually prayed that my editor wouldn't hate it too much--she did, and I wasn't too surprised.
This time I was really, really shocked. Even after I'd rewritten and resubmitted and had my new version accepted, I couldn't stop wondering about it. Why was my assessment of the original version of NOT QUITE A HUSBAND so diametrical from that of my editor's? The ability to judge one's own work is an important quality to have for a writer, especially a professional writer. And I'd thought that I'd finally acquired that ability.
Then I read the new version of NOT QUITE A HUSBAND in anticipation of the line edit and the copy edits. I cried--and cried and cried. It dawned on me finally that NOT QUITE A HUSBAND, even the much-flawed original version, was just like Benjamin Button for me.
Have you ever read a book that hurts so good that you lose all critical faculties? A book of deep lovely pain that make you feel with such intensity and rawness that you cannot grade it on any objective measure, because you don't care, because it just knocks you out in all the right ways?
That is NOT QUITE A HUSBAND for me. Me, not my editor, fortunately. The book as it originally stood had a couple of significant structural weaknesses which I completely ignored because I was an emotion junkie getting her fix with the rest of the story. My clear-eyed editor pointed them out and made me fix them.
And the new version gets to me even more.
It feels unsettling, almost, to speak of a book of my own that way. And I'm not sure whether it's a good thing or a bad thing. I could very well end up in the minority here, as NOT QUITE A HUSBAND is not an easy story, nor does it have a secondary romance to lighten things up from time to time. But it is, in a way, a marvelous experience, to write something that jives with me so much that I'm utterly blind to its faults, that upon reading it I am incapable of anything but teary-eyed happiness.
The rest of you, prepare to be sorely disappointed. :-)
Tuesday, February 03, 2009
Sunday, February 01, 2009
How did I miss this? Bettie Sharpe's LIKE A THIEF IN THE NIGHT has been out in print, as part of an anthology, since the very end of 2008.
I wrote a combined review for EMBER and LIKE A THIEF IN THE NIGHT January last at Dear Author. It's not very often that I exhort readers to support a certain author, but I think a special case should be made for Bettie. Cuz she is just too awesome a talent. And for selfish reasons, I want her to get a lot of money from her writing so that she needs to do nothing but write. For my enjoyment. :-)
I haven't seen the book in the stores yet--not that I was particularly looking for it--but you can get it from Amazon here.